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December 30, 2011

Best MVI file Converter – Transcode MVI to AVI for Pinnacle Studio Editing without problems

How can I convert .MVI files so that they can be used in Pinnacle Studio?

I either need a free downloadable programme that will allow me to convert the full length of the videos, or I need a different Pinnacle Studio that will allow .MVI format files. Any suggestions?

As you see, some Canon digital still cameras (Powershot A75, A63, S410 etc), are capable of shooting a limited amount of video, since there is no tape, it is saved as an MVI file format. However, the MVI file format is not compatible with other programs. Even windows media player refuse to play MVI file. Besides, editing software like Windows movie maker and Pinnacle Studio do not work with the format. Because of this, the files need to be converted to a format that is more widely used, such as AVI so that these videos shot with still camera can be played and edited as easily as other common videos. This guide is to tell how to do that.

Introduction & Requirements
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Download and install Pavtube MVI to Pinnacle Video Converter

Pavtube Video Converter is an easy-use-to use yet powerful video transcoding software. The output files created by the program can are compatible with lots of video editing programs including Windows Movie Maker, Adobe Premiere, Sony Vegas, Avid, Ulead VideoStudio Plus, Pinnacle Studio, CyberLink PowerDirector, etc. To be honest, i really like the software. Very quick conversions and lots of file format options. I find the software doing a Google search for video converters.
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December 5, 2011

Mac AVCHD to Avid Converter – Transcode Sony HDR-SR11 AVCHD footage to MOV for Avid Media Composer Editing

Question: How to import AVCHD to Avid?

On Wednsday, I’m going to start filming my short film. I was originally going to use Final Cut Pro, but now that I have learned Avid, I think I have enough confidence to edit a short film with Avid. The problem is… I’ve never edited AVCHD before.

So my question is, how would I go about bringing the AVCHD files from the SD card into Avid to edit? I know these files aren’t directly editable. We will be using a Sony HDR-SR11 by the way.

Along with the DVD-recording HDR-UX1, the SR1 compresses video in AVCHD, the new high definition format that, for the first time, allows consumers to leave tape behind. However the fact is that there is few even no 3rd party support is yet available for editing. Accroding to my experience, Avid Media Composer doesn’t work with well with the SR1 AVCHD files. And the highly-compressed content are not so friendly for almost all editing softwares. How to get Avid Media Composer work perfectly with AVCHD footage? A best way is to convert the AVCHD files to QT MOV, something that Avide MC supports along with some help from the third-party tool. (more…)

November 25, 2011

Top MXF Converter for PowerDirector – Transcode/Import Canon XF100 MXF files to Cyberlink PowerDirector for editing

How to import Canon XF100 MXF video to Cyberlink PowerDirector for editing?

Although Canon claims that its flavor of MXF is fully supported by major NLE systems including Adobe Premiere, Apple Final Cut Pro, Avid Media Composer, and Grass Valley EDIUS, we don’t see Cyberlink PowerDirector here. So it’s understandable that PowerDirector refuses to load .mxf shootings from a XF100 camcorder. It does not matter if you’d like to edit Canon .mxf footage in PowerDirector though, as long as you have the Pavtube HD Video Converter software. The Pavtube HD Video Converter software easily converts universal MXF videos originated from Canon XF, Panasonic P2 and Sony XDCAM cams into AVI, MOV, MPG, TS, etc for editing and streaming. To import Canon MXF recordings in Cyberlink PowerDirector, you just need to convert MXF videos to PowerDirector supported video formats, like AVI, MKV, MP4, MOV, MPEG, VOB, WMV, etc.

Before conversion you need to

1. Transfer the .mxf clips to hard disk.

2. Get Pavtube HD Video Converter. The program now is on sale at the company’s site through Nov. 22, 2011 if you choose this option.

Transcode/Convert Canon XF100 MXF to MOV/AVI/MPG/MP4

Step 1. Launch the MXF to Cyberlink PowerDirector Converter. Drag and drop .mxf clips to file list. The converter works with MXF shootings taken with Canon XF series and Panasonic P2 camcorders.

Step 2. Click on “Format” and choose a preferable format. The HD Video Converter for Cyberlink PowerDirector can convert MXF to AVI, MP4, MPG, MOV, TS and more formats. H.264 .mov format is recommended as PowerDirector can load MOV files instantly.

Step 3. Click “Convert” to start transcoding the Canon MXF recordings to .mov videos. After conversion click “Open” to find .mov videos and import them to Cyberlink PowerDirector for editing.

Some more helpful features of the Canon MXF Converter for Cyberlink PowerDirector:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate(from 1Mbps to 20Mbps), frame rate (24p/30p). The HD Video Converter exports up to 1080p HD video.

2. Editor (next to “Add” icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

Load/Import converted MXF footage to Cyberlink PowerDirector

Step 1. Start up Cyberlink PowerDirector, follow “Open Folder>>Import Media Files” to import individual video clips.

Step 2. Browse to the converted .mov video and press “Open”.

Now the MXF footage is successfully converted and imported to Cyberlink PowerDirector and you can get down to video editing.

November 23, 2011

Convert P2 MXF files to AIC – Import Panasonic AJ HPX300 P2 MXF to Final Cut Express for editing on Mac OS X Lion

Transcode Panasonic AJ HPX300 P2 MXF files to AIC for FCE Editing on Mac OS X Lion

The Panasonic AJ HPX300 P2 Camcorder is a 1/3″ CMOS camera featuring full resolution 1920×1080 chips. The P2 card is a new solid state recording media that Panasonic developed to bridge the gap between information technology and professional video. About the same size as a PC card, the P2 card stores large amounts of video and audio data in MXF-format files. 

It is a common sense to Final Cut Express users that video shootings should be ingested to FCE from Log and Transfer window. However, this doesn’t work with the Panasonic AJ HPX300 P2 which recorded MXF files. There is solution, of course, to help you transfer MXF footage to Final Cut Express. The next few steps will show you how to do with Sony XDCAM, Panasonic P2 series and Canon MXF shootings (taken with Canon XF100, XF300, or XF305), before importing the Panasonic AJ HPX300 P2HD footage to Final Cut Express.

Before processing, you’re suggested to

1. Transfer the .mxf clips from Panasonic AG-HPX300 P2 card to Mac computer.

2. Install Pavtube MXF to FCE Converter for Mac os x Lion (Recommended, now on sale at the company’s site through Nov. 22, 2011 if you choose this option.). (more…)

October 27, 2011

How to import HD MTS/M2TS/ MOV/ MOD/TOD/MXF into FCP without rendering

Transcode HD MTS/M2TS/ MOV/ MOD/TOD/MXF into FCP for editing

HD camcorders (E.g. Sony Handycam series, Panasonic Lumix line, Canon Vixia and EOS cams) usually take MPEG-4 AVC/H.264 codec for saving video contents. The MPEG-4 AVC/H.264 codec, to some extent, is a delivery codec and not editable one. Wanna import and edit the HD MTS/M2TS/ MOV/ MOD/TOD/MXF in FCP? Convert the files into Final Cut Pro friendly codec first. As to the best codec for FCP editing, Apple ProRes 422 and Apple Intermediate Codec should be the top two codec packs. The following guide is written to help you out of such kind of importing errors.

Required software: Pavtube HD Video Converter for Mac About the software: This Mac HD Video Converter deals with HD shootings in file extensions of (*.mts, *.m2ts, *.mov, *.mxf, *.mod, *.tod, *.avi, *.mp4) taken with Sony, Panasonic, JVC and various other camcorders. The HD Video Converter exports FCP friendly codecs including Apple ProRes family (ProRes 422, ProRes 422 LT, ProRes 422 HQ, ProRes 422 Proxy, ProRes 4444), DVCPRO, HDV, Apple Intermediate codec, etc for Final Cut Pro post-production. You may download a trial of HD Video Converter for Mac software to try it out. Notice that the trial version puts a Pavtube logo on the screen.

Detailed guide of transcoding HD MTS/M2TS/MOV/ MOD/TOD/MXF to Apple ProRes 422/Apple Intermediate codec for Final Cut Pro:

1. Run the HD Video to FCP Converter for Mac. Click “Add” button and browse to the HD footages either from scratch disk or cam HDD for loading to the converter. If your source is MXF contents from P2 card, copy the MXF files to Mac hard disk first.

2. Click on “Format” bar and follow “Final Cut Pro” template to set a FCP friendly format. For Full HD 1080p AVCHD files, you are advised to Follow “Final Cut Pro” template and “Apple ProRes 422 (*.mov)” format. If you prefer smaller file size, choose “Apple ProRes 422 (LT) (*.mov)” instead. The “Apple ProRes 422 (Proxy) (*.mov)” format offers file size at SD levels and is recommended for 480i/p and 576i/p shootings. The “Apple ProRes 4444(*.mov)”
creates videos in lossless quality at huge file size, and is not recommended for home video making.

3. Click the “Settings” button and customize proper video/ audio parameters if necessary. Video size, bitrate and fame rate are flexible and can be adjusted as you like. E.g. Set video size to 1920*1080 when you feel like to keep 1080p as the source file features. Or set smaller bitrate to further cut down export file size. You may skip this step as well.

4. Click “Browse” button to set a location on your HDD for the output video file. Make sure there are enough disk space for saving generated files.

5. Click “Convert” to start transferring HD MTS/M2TS/ MOV/ MOD/TOD/MXF to Apple ProRes 422 codec. The conversion process may take long time due to huge file size but trust me– this Mac HD Video to FCP Converter is faster than most other video converter tools. After conversion just click the “Open” button to locate converted video files for importing to FCP. As Apple ProRes codecs are natively supported by FCP, the rendering time is saved as well.

Tip 1: AVCHD has a much higher compression ratio than Apple ProRes, so the ingested files are significantly larger than the original files. For example, a 2-minute native AVCHD file is about 200–300 MB. After transcoding to the Apple ProRes 422 codec, the file size can be as large as 2 GB.

Tip 2: Pavtube iMedia Converter for Mac

converts HD MTS/M2TS/ MOV/ MOD/TOD/MXF videos, common videos, DVD, and Blu-ray Disc to Apple ProRes 422 codec for Final Cut Pro and to MP4, MOV, M4V videos for QuickTime player, iTunes, iPad, iPhone, iPod, etc.

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